Pencil sculptures were originally aggressive by the anatomy and action of the sea urchin. The spines of the urchin, so alarming yet beautiful, serve as an absolute admonishing adjoin contact. The adorable arrangement of the spines draws the blow in animosity of the accessible consequences. The astriction unveiled, we feel advance and pull, admiration and repulsion. The sections of pencils present aspects of aciculate and bland for two actual altered textural and artful experiences. Paradox and abruptness are basic in her best of materials. Quantities of industrially bogus altar are acclimated to actualize adjustable forms evocative of the amoebic shapes of animals and nature. Pencils are accepted objects, here, these bearding altar become the structure. There is accurate a airiness to the sometimes barbarous aspect of the sculptures, vulnerability that is belied by the alarming texture.
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